|
¡¥mind) ½À°ü 3. ¼ÒÁßÇÑ °ÍÀ» ¸ÕÀú Ç϶ó(Put first Things First) ½À°ü 4. »óÈ£ÀÌÀÍÀ» ¸ð»öÇ϶ó(Think Win-Win) ½À°ü 5. °æûÇÑ ´ÙÀ½ ÀÌÇØ ½ÃÄѶó(Seek first to understand, Then to be understood) ½À°ü 6. ½Ã³ÊÁö¸¦ È°¿ëÇ϶ó(Synergize) ½À°ü 7. ²÷ÀÓ¾øÀÌ ¼â½ÅÇ϶ó(Sharpen the saw) / ¡°¼º°øÇÏ´Â »ç¶÷µéÀÇ 7°¡Áö ½À°ü¡±Àº ¹Ì±¹ ¸®´õ½±¼¾ÅÍ ¿øÀåÀ¸·Î ÀÖ´Â ½ºÆ¼ºì ÄÚºñ¶ó´Â ¹Ú»ç°¡ ¾´ ÀÚ¡¦ |
|
¼Æò  | 
2p age   | 
500 ¿ø
|
|
|
|
|
|
¡¥ (3) ½À°ü 3 : ¼ÒÁßÇÑ °ÍºÎÅÍ ¸ÕÀúÇ϶ó(Put first Things First) (4) ½À°ü 4 : »óÈ£ÀÌÀÍÀ» ¸ð»öÇ϶ó(Think Win-Win) (5) ½À°ü 5 : °æûÇÑ ´ÙÀ½¿¡ ÀÌÇؽÃÄѶó(Seek first to understand, Then to be understood) (6) ½À°ü 6 : ½Ã³ÊÁö¸¦ È°¿ëÇ϶ó(Synergize) (7) ½À°ü 7 : ½É½ÅÀ» ´Ü·ÃÇ϶ó(Sharpen the saw) 3. °á·Ð [Âü°í¹®Çå] / 1. ¼·Ð ÀλýÀ» ¼º°øÀ¸·Î À̲ô´Â ÈûÀº ¾îµð¿¡¼ ¿À´Â°¡¡¦ |
|
¼Æò  | 
4p age   | 
1,500 ¿ø
|
|
|
|
|
|
¡¥ter refusing to move from the first-class to a third-class coach while holding a valid first-class ticket. Travelling farther on by stagecoach, he was beaten by a driver for refusing to move to make room for a European passenger. He suffered other hardships on the journey. There was much racial discrimination. These events were a turning point in Gandhi`s ¡¦ |
|
¼Æò  | 
2p age   | 
800 ¿ø
|
|
|
|
|
|
¡¥amous among people, it was my first time ever rea... / 1. Ã¥Á¦¸ñ: Jonathan Livingston Seagull ÀúÀÚ:Richard Bach ÃâÆÇ»ç: Avon (1973) 2. Ã¥Á¦¸ñ: Tuesdays with Morrie: An Old Man, a Young Man, and Life`s Greatest Lesson ÀúÀÚ: Mitch Albom ÃâÆÇ»ç: Doubleday 3. Ã¥Á¦¸ñ: The Alchemist: A Fable About Following Your Dream ÀúÀÚ: Paulo Coelho ÃâÆÇ»ç: Harper S¡¦ |
|
¼Æò  | 
2p age   | 
800 ¿ø
|
|
|
|
|
|
`ÇÁ·£¾¾½º ¶óÆä`Àú¼ú, ¡´±¾ÁÖ¸®´Â ¼¼°è : ½Ä·®¿¡ °üÇÑ ¿µÎ °¡Áö ½ÅÈ¡µ¿¡ ´ëÇÑ µ¶ÈÄ°¨ÀÔ´Ï´Ù. ÁٰŸ®¸¦ ÃÖ´ëÇÑ ÁÙÀÌ°í Á¦ »ý°¢ À§ÁÖ·Î ÀÛ¼ºÇÏ¿´½À´Ï´Ù. Ã¥¿¡ ´ëÇÑ Àü¹ÝÀûÀÎ ÀÌÇØ°¡ ÇÊ¿äÇϽŠºÐ¿¡°Ô µµ¿ò µÇ½Ã±æ ¹Ù¶ó¸ç, ¸ðµÎ ÁÁÀº °á°ú ÀÖÀ¸½Ã±æ ¹Ù¶ø´Ï´Ù. ±¾ÁÖ¸®´Â¼¼°è / ¡º±¾ÁÖ¸®´Â ¼¼°è¡»ÀÇ ÁýÇÊÀڴ ǪµåÆÛ½ºÆ®(Food First)¶ó´Â À̸§À¸·Î ¾Ë·ÁÁø <½Ä·®°ú ¹ßÀüÁ¤Ã¥¿¬±¸¼Ò>ÀÇ ¿¬±¸¡¦ |
|
¼Æò  | 
3p age   | 
500 ¿ø
|
|
|
|
|
|
[µ¶ÈÄ°¨]¿À¸¸°ú Æí°ßÀ» ÀÐ°í³ª¼ / ¿À¸¸°ú Æí°ßÀ» ÀÐ°í³ª¼ Á¦ÀÎ ¿À½ºÆ¾(Jane Austen)ÀÇ ¿Ï¼ºÀÛ °¡¿îµ¥ °¡Àå À¯¸íÇÑ ¿À¸¸°ú Æí°ß(Pride and Prejudice)Àº ÀÛ°¡ÀÇ Ãʱâ ÀÛÇ°À̱⵵ ÇÏ´Ù. ÀÌ ¼Ò¼³Àº ¿ø·¡ ù Àλó(First Impressions)À̶õ Á¦¸ñÀ¸·Î 1797³â¿¡ ¾²¿© Áø °ÍÀε¥, ÃâÆÇÀÌ °ÅºÎµÈ ´ç½ÃÀÇ ¿ø°í´Â ÇöÀç ÀüÇØÁöÁö ¾Ê´Â´Ù. 1812³â¿¡ ÃâÆÇÀÌ °ÅºÎµÈ ±× ¿ø°í¸¦ °íÃÄ 1813³â ¿À¸¸°ú Æí°ß¡¦ |
|
¼Æò  | 
2p age   | 
1,000 ¿ø
|
|
|
|
|
|
(¿µ¹®À¸·Î½á¿©Áü) °íµµ¸¦ ±â´Ù¸®¸é / <Waiting for Godot> At first, I was perplexed because of the proceed of story withtwo heroes` meaningless dialog. What means their dialog. Are they crazy I just confused through the story. The heroes, Estragon and Vladimir keep on living waiting for Godot whom they have never been met before and whether he comes or ¡¦ |
|
¼Æò  | 
1p age   | 
1,000 ¿ø
|
|
|
|
|
|
¹Ì±¹´ëÇÐ °úÁ¦ Inside Job ¿µÈ°¨»ó¹® (¿µ¹®) / Inside Job The first impression about the movie was, ¡°This is going to be very difficult to understand.¡± In fact, it wasn¡¯t very difficult to understand. Instead, the movie left me several questions that I couldn¡¯t answer. The questions are, ¡°How am I supposed to deal with the very shocking news¡± ¡°Is it t¡¦ |
|
¿µÈ°¨»ó  | 
2p age   | 
500 ¿ø
|
|
|
|
|
|
¹Ì±¹´ëÇÐ °úÁ¦ Margin Call ¿µÈ°¨»ó¹® (¿µ¹®) / Margin Call First of all, I was surprised with the casting of the movie. There were so many famous actors in the movie which interested me and made me enjoy. I was glad to hear the term, VaR, which I learned from our class. And because I am interested in risk management position, the movie made me really concen¡¦ |
|
¿µÈ°¨»ó  | 
1p age   | 
500 ¿ø
|
|
|
|
|