ÀÌ·¸µí ÀÌ ½Ã¿¡´Â ÈÀÚ°¡ ´À³¢´Â »îÀÇ ÇظíÀÌ µé¾îÀÖ´Ù. Áï, ÀüÀï¿¡ ´ëÇÑ ÀÚ½ÅÀÇ »ý°¢°ú °ßÇظ¦ ½Ã¶ó´Â ¼ö´ÜÀ» ÅëÇØ °£Á¢ÀûÀ¸·Î µå·¯³»°í ÀÖ´Ù´Â °ÍÀÌ´Ù. ÀÌ·¯ÇÑ ±×ÀÇ Àλý(ÀüÀï)¿¡ ´ëÇÑ Çظí, Çؼ®ÀÌ ÀÌ ½Ã¿¡ ³ì¾Æµéµµ·Ï ÇÔÀ¸·Î½á ÀüÀïÀ̶õ ¿ÇÁö ¾ÊÀº °ÍÀÓÀ» Á» ´õ »ç½Ç°¨ ÀÖ°í, ½ÇÁ¦ÀûÀ¸·Î ¿Í ´êÀ» ¼ö ÀÖ°Ô²û ÇÏ¿© µ¶Àڵ鿡°Ô ´õ¿í ±íÀº °¨µ¿°ú »ý°¢À» ¾È°Ü ÁÖ·Á Çß´ø °ÍÀÌ HardyÀÇ `The Man He Killed`°¡ ¾Æ´Ñ°¡ ÇÑ´Ù.
¥². `The Man He Killed` Discussion
¨ç Discuss the poetic effects of the frequent use of dashes(¡ª) and the repetition of the same words such as `because`. Why are the heavy, frequent pauses caused by the dashes and repetition appropriate?
¡æ ÇϵðÀÇ ´Ù¸¥ ½Ã¿¡¼µµ dashes(¡ª), because, pause µîÀ» ºó¹øÇÏ°Ô ¸ñ°ÝÇÒ ¼ö ÀÖ´Ù.
ÀÌ´Â ±×ÀÇ ½Ã¿¡ µå·¯³ ½ÃÀû ÈÀÚÀÇ ½É¸®Àû ºÒ¾È°¨(dashes, pause)°ú ÀÚ±â Á¤´çÈ-»ìÀÎÀ» ÀúÁö¸¥ °Í¿¡ ´ëÇÑ-(because)¸¦ Ç¥ÇöÇϱâ À§ÇÑ ÇϳªÀÇ ÀåÄ¡·Î º¼ ¼ö ÀÖÀ» °ÍÀÌ´Ù. ¶ÇÇÑ ÀÌ·¯ÇÑ ÀåÄ¡µé ¿Ü¿¡µµ µµÄ¡µÈ ¹®ÀåÀ̳ª ¹®¹ý¿¡ ¸ÂÁö ¾ÊÀº ¹®Àå µîµµ °°Àº ¿ªÇÒÀ» ÇÑ´Ù°í º¼ ¼ö ÀÖÀ¸¸ç, ƯÈ÷ ¹®¾îü°¡ ¾Æ¡¦(»ý·«)
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