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ı½Ã·¯´Â °úÇаú ¿¹¼úÀÇ °øÅëµÈ Ư¡À» ´Ù¾ç¿¡¼­ÀÇ ÅëÀÏ(a unity in the manifold)·Î º¸¾Ò´Ù. ±×¿¡ µû¸£¸é, ¾ð¾î¿Í °úÇÐÀº Çö½Ç¿¡...
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ı½Ã·¯´Â ·¹¿À³ª¸£µµ ´ÙºóÄ¡°¡ »ç¿ëÇÑ <º¼ ÁÙ ¾È´Ù>(saper vedere)¶ó´Â ¸»À» »ç¿ëÇؼ­ ¿¹¼ú°¡ÀÇ À§»ó¿¡ ´ëÇؼ­ ¿ì¸®¿¡°Ô ¼³¸íÇÏ°í ÀÖ´Ù. ¸»ÇÏÀÚ¸é, ¿ì¸®´Â ÀÏ»óÀû °¨°¢ °æÇèÀÇ ´ë»óµéÀ» ¼öõ ¹ø ¸¸³µÀ¸³ª ±× Çü»ó(ȤÀº Çü½Ä)À» ÇÑ ¹øµµ Á¦´ë·Î `º¸Áö` ¸øÇßÀ» ¼ö ÀÖ´Ù´Â °ÍÀÌ´Ù. ±× Á¡ÀÌ ¿¹¼ú°¡¿Í ÀϹÝÀÎÀÇ Â÷À̶ó´Â °ÍÀÌ´Ù.
ı½Ã·¯´Â À§¡¦(»ý·«)
Âü°í¹®Çå
ÃÖ¸í°ü,¡ºÄ±½Ã·¯ÀÇ Ã¶ÇС», ¹ý¹®»ç, 1985. p. 131.
ı½Ã·¯,¡ºÀΰ£À̶õ ¹«¾ùÀΰ¡¡»-¹®È­Ã¶ÇÐ ¼­¼³-(ÃÖ¸í°ü æ»), ¼­±¤»ç, 1988. pp. 8. 213 ÀÌÇÏ.
ı½Ã·¯,¡º°è¸ùÁÖÀÇ Ã¶ÇС»(¹Ú¿Ï±Ô æ»), ¹ÎÀ½»ç, 1995. p. 367.
C.E.Äݸµ¿ìµå,¡º¿¹¼úÀÇ ¿ø¸®¡»(¹®Á¤º¹ æ»), Çü¼³ÃâÆÇ»ç, 1982. p. 279 ÀÌÇÏ.
S.K. ·©°Å,¡º¿¹¼úÀ̶õ ¹«¾ùÀΰ¡¡»(À̽ÂÈÆ æ»), °í·Á¿ø, 1993. p. 19 ÀÌÇÏ.
Cassirer, Ernst., An Essay on Man: An Introduction to a Philosophy of Human Culture, New Haven, Yale University Press(1944). p.137 ÀÌÇÏ.
-------, Symbol, Myth, Culture: Essays and Lecture of Ernst Cassirer; 1935-1945, ed., by Donald Phillip Verene, New Haven and London Yale University Press(1979). p. 22 ÀÌÇÏ.
-------, `The Concept of Philosophy as a Philosophical Problem`(1935).
-------, `Critical Idealism as a Philosophy of Culture`(1936).
-------, `Language and Art ¥°`(1942).
-------, `Language and Art ¥±`(1942).
Collingwood, R.G., The Principles of Art, Oxford, Clarendon Press(1938), p. 279-285.
Kant, Immanuel., Kritik der Urteilskraft (Philosopische Bibliothek Band 39a), Herausgeben von Karl Vorländer, Verlag von Felix Meiner in Hamburg, Auflage von 1924. (1974),
Paul Arthur Schilpp, ed., The Philosophy of Ernst Cassirer, Open Court Publishing Company, LaSalle, Illinois, 3rd.(1973), p. 616.
Susanne K. Langer, Philosophy in a New Key, A Study in the Symbolism of Reason, Rite, and Art , A Harvard Paperback. 3rd. (1957). pp. 19-25.







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[Abstract]
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A Study of the viewpoint of Art
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in Ernst Cassirer`s Philosophy of Culture
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itle
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Shin Eung-Chol (SoongSil Univ.)
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This article, which becomes a preliminary stage in order to understand Ernst Cassirer`s Philosophy of Culture, aims to explore his viewpoint in the Theory of Art, or the Theory of Aesthetics.
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Cassirer`s discussion about Philosophy of Culture aims to not research individual cultural appearances and its relationship but renew the definition about Human Being through a discussion about Cultural Phenomena. The core concept is
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Symbol, Symbolic Form, Imagination, Myth
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in the spheres of Philosophy of Culture, namely language, history, science, religion. These terms play an important role in the Art.
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Therefore, This study will be focus on as follows.
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1. What is the characteristic method to understand the Art, which the expre- ssion of mental life of Human Being, in the relation of the established the Theory of Art , or the Theory of Aesthetics in Ernst Cassirer?
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2. What is the distinguished mark in his grasping of the Art?
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3. What is the role of imagination and symbol in his Philosophy of Culture?
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Key Words :
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Culture, Symbol, Symbolic Form, Imagination, Myth
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